Elizabeth rudolph
Composer
"Women in composition is such a hot topic. I feel lucky to be writing right now, especially as a queer female composer."
- Interview with Chicago Fringe Opera
About Elizabeth
Elizabeth Rudolph is a Chicago-based composer “whose music takes advantage of the rhythmic complexity of minimalism to emphasize thoughtfully composed melodic storytelling.” according to contralto Katherine Dalin. Rudolph’s music has been commissioned, performed, and/or recorded by VOX3, Third Eye Theater, New Moon Opera, Chicago Fringe Opera, Fresh Squeezed Opera, Chicago Gay Men's Chorus, Interlochen Arts Academy Chorale, and Opera on Tap-Chicago. Her evening-length opera, Imogen, had its (workshop) debut with New Moon Opera in 2019. Here, Rudolph shed convention and voiced and scripted roles to be genderless, smartly designing a work that gives more singers an opportunity to be heard and represented. Rudolph is an established classical soprano in her own right, and enjoys collaborating with working artists to create new classical music in all formats, especially art-songs. “Singing her music is always immensely musically and dramatically fulfilling.” says soprano Mary Govertsen.
Other commissions include, The Widow’s Will (soprano, mezzo, baritone, oboe/english horn and string quartet; with librettist Bilal Dardai) for Chicago Fringe Opera and the 2021 Decameron Opera Project, Petticoats&SlideRules (soprano, mezzo, violin, cello and optional piano) for Third Eye Theater Ensemble, Lincoln Square (soprano and cello) for the Chicago Fringe Opera City of Works project, Just a Phase (TTBB Choral) for the Chicago Gay Men’s Chorus on the 50th anniversary of Stonewall, The Third Night (baritone, bass clarinet, and piano) for VOX3, La Belle Dame sans Merci (SATB chorale) and Incidental Music for The Tempest (mixed chamber music [and Ariel songs]), for Interlochen Center for the Arts.
She earned degrees from Roosevelt University (MM) and St. Olaf College (BM) where she studied composition with Dr. Peter Hamlin and Dr. Timothy Mahr, but began composing at the age of 14 under the tutelage of Dr. Alan Hirsch, then finished high school at Interlochen Arts Academy where she advanced her composition and music theory study with Dr. Elaine Broad-Ginsberg.
Selected List of Compositions
Vocal Music
Choral Music
Chamber & Orchestral
Opera
The Winds 1993
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choral piece Psalm 23
Family Relations 1997
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song cycle with lyrics by Julie Ball for mezzo and piano
The Third Night 2012
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pair of songs with lyrics by Strindberg for bass-baritone, bass clarinet, and piano
Perfect Fog 2014
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duet with lyrics by Julie Ball for sop, mezzo, clarinet, and cello
4Nov2002 2014
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song with lyrics by Julie Ball for soprano and piano
Margaret's Curse 2016/Lady Anne 2018
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songs with lyrics from Richard III by Shakespeare for voice and piano
Me Gustaría Hablar 2016
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song cycle with lyrics by Yvonne Strumecki for soprano, violin, and piano
Breathe 2018
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scena with lyrics by Laura Stratford for 2 voices, piano, and string trio
Litany 2020
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song cycle with lyrics by Yvonne Strumecki for soprano and piano
The Lake 2020
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song cycle with lyrics by Julie Ball for soprano, flute/bass flute, and cello
The Winds 1993
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choral piece Psalm 23
Nativity 1999
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acappella choral set with traditional Latin text
La Belle Dame Sans Merci 2000
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choral piece with lyrics by Keats
Sonata 2000
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for viola and guitar
Etude 2020
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etude for piano
Imogen 2019
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opera based on Cymbeline by William Shakespeare
Sliderules & Petticoats 2021
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a mini-opera about the life of Dr Lois Graham
The Widow's Will 2021
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an opera about the life and legacy of Hazel Johnson